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ABOUT
REPERTOIRE
Violetta Valéry from la Traviata by G. Verdi
Die Königin der Nacht from Die Zauberflöte by W. A. Mozart
Donna Anna from Don Giovanni by W. A. Mozart
Alcina from Alcina by G. Fr. Haendel
Lucia from Lucia di Lammermoor by G. Donizetti
Gilda from Rigoletto by G. Verdi
Lucrezia Borgia from Lucrezia Borgia by G. Donizetti
Rosina from Il Barbiere di Siviglia by G. Rossini
Norina from Don Pasquale by G. Donizetti
Clorinda from La Cenerentola by G. Rossini
Frasquita from Carmen by G. Bizet
Giannetta from L’elisir d’amore by G. Donizetti
Rita from Rita by G. Donizetti
Rosa from Le cantatrice villane by V. Fioravanti
Amelia from Amelia al ballo by G. C. Menotti
Belinda from Dido and Aeneas by H. Purcell
Damon from Acis and Galatea by G. Fr. Haendel
Nerina from Le Pescatrici by J. Haydn
Le Feu from L’enfant et les sortileges by M. Ravel
Carmina Burana by C. Orff
Requiem by W. A. Mozart
Stabat Mater by G. Pergolesi
Stabat Mater by G. Rossini
Gloria by A. Vivaldi
La Resurrezione by F. Haendel
Exsultate, jubilate by W. A. Mozart
Die Schöpfung by J. Haydn
Ein Deutsches Requiem by J. Brahms
Jauchzet Gott in allen Landen BWV 51 by J. S. Bach
Süßer Trost, mein Jesus kömmt BWV 151 by J. S. Bach
Ihr, die ihr euch von Christo nennet BWV 164 by J. S. Bach

VIDEOS
PRESS
Reviews
Revista Muzicala Radio Romania Cultural
www.operaonline.ro
Cimec.ro
Rodica Vica (Alcina) impresses with her scenic-musical dramatical presence – Acord Magazine
Observator Cultural Magazine
In the scene in which she discovers the body of her father, Vica gave such a personal, credible and expressive drama, that it simply got goose bumps. Her scenic actions are not only full of fear and horror, but also full of guilt… Guilt of Donna Anna?
www.momus.hu